A Kind of Love
Last Friday we went to the One Story reading at the Lower East Side's Pianos bar. And truth is, I've fallen a little in love with One Story and their premise: every three weeks they publish one story, in chapbook-like format. A perfect little read, uncluttered by poems and reviews and other stories. Also a perfect read for: before bed; subway ride, etc. And the booklet's so small it fits right into your coat pocket.
Next month's reader is Margo Rabb and so I did a little googling to familiarize myself with her work before the reading itself. (Hey, I'm nothing without my geekiness.)
One of her stories, How To Tell A Story, which won the Zoetrope contest a few years back, spooofs MFA programs. (Chillingly real, let me tell you.)
Anyway, towards the end there's a passage that's the truest description of how I'm feeling about this unending drive to write...
I think now that my writing is as dear to me as a family would be, and crazy as that sounds, I think writing requires the same kind of attention, of commitment, of love, that people do. To be faithful to a story even when it fails me, to come back to it again and again when I worry that I may never make it work, that it may always disappoint me, that everything I've put into it could be lost--to know this, yet still keep writing--what could that be, if not love?
Because, really, folks: anyone with half a brain would give up and go back to law school, don't you think?
Last Friday we went to the One Story reading at the Lower East Side's Pianos bar. And truth is, I've fallen a little in love with One Story and their premise: every three weeks they publish one story, in chapbook-like format. A perfect little read, uncluttered by poems and reviews and other stories. Also a perfect read for: before bed; subway ride, etc. And the booklet's so small it fits right into your coat pocket.
Next month's reader is Margo Rabb and so I did a little googling to familiarize myself with her work before the reading itself. (Hey, I'm nothing without my geekiness.)
One of her stories, How To Tell A Story, which won the Zoetrope contest a few years back, spooofs MFA programs. (Chillingly real, let me tell you.)
Anyway, towards the end there's a passage that's the truest description of how I'm feeling about this unending drive to write...
I think now that my writing is as dear to me as a family would be, and crazy as that sounds, I think writing requires the same kind of attention, of commitment, of love, that people do. To be faithful to a story even when it fails me, to come back to it again and again when I worry that I may never make it work, that it may always disappoint me, that everything I've put into it could be lost--to know this, yet still keep writing--what could that be, if not love?
Because, really, folks: anyone with half a brain would give up and go back to law school, don't you think?
































